DJI Ronin 4D specialist
I'm available as a DJI Ronin 4D gimbal operator on other productions — working as camera crew under an existing director or DP, rather than in a directing role.
For directing and DP work, see my Productions page.
I’ve been using the Ronin 4D camera system since 2022. I’ve shot with it across three different continents, using it as both a self-shooter and as part of a full camera crew.
Unlike heavier gimbal systems built around a support vest and separate camera body, the Ronin 4D is fully integrated — camera and gimbal in one. That means faster setup and a smaller footprint on set.
I operate a Ronin 4D as my primary camera system on my own productions, which means genuine day-to-day familiarity with the rig — not occasional use. This includes:
Full working knowledge of the DJI Focus Pro ecosystem, including third-party lens compatibility
Experience running the system with cine lenses (M-mount / PL-Mount) rather than native DJI glass
Comfortable operating in the 4th-axis gimbal mode for stabilised handheld work over long periods
Efficient on set — able to move quickly between tripod, handheld and gimbal setups without slowing down a shoot day
Client - Range Rover & Nowness
Director - Felipe Sanguinetti
DP - David Johnson BSC
1st AC / Camera Operator - Robbie McKane
2nd AC - Dan Jenner
Edit - Bernardo & Cayetano Garcia
Sound Design - Father
Colour Grade - Wild Island
Camera operator / assistant to DP on a Range Rover campaign for Nowness — operating the Ronin 4D as part of the camera team, working under the production's director of photography.
Available for
Camera operator or 2nd unit on commercial, broadcast or corporate productions
Productions already running their own director/DP who need a Ronin 4D specialist as crew
Day rate or block-booked availability, London & Surrey-based with UK and international travel
An assistant can also be provided, operating the DJI Focus Pro hand unit for increased accuracy and speed.